Hubbard’s solo on the title track is full of fire and power. The set gets off to a flying start with Hubbard’s 1960 Blue Note debut album, “Open Sesame”. Ideally, those albums (and the others listed bylumenthal) should be heard alongside the masterpieces on the Mosaic set, but the 10 albums found in the box offer a stunning overview of Hubbard’s emerging talent. Mosaic’s new 7-CD set, “ The Complete Freddie Hubbard Blue Note and Impulse Studio Sessions” collects these important recordings in newly remastered settings.īob Blumenthal, who wrote the set’s outstanding liner notes (and who supplied the historical factoid that opened this review), points out that Hubbard’s albums as a leader are only part of the story, and thus he also documents the trumpeter’s sideman appearances on classic albums including Oliver Nelson’s “ The Blues and the Abstract Truth”, Ornette Coleman’s “ Free Jazz”, Eric Dolphy’s “ Out to Lunch”, Herbie Hancock’s “ Maiden Voyage”, John Coltrane’s “ Ascension”, and his many albums with Art Blakey and the Jazz Messengers. Hubbard’s early recordings as a leader displayed his brilliant technique combined with his sharp focus on musical goals. Freddie Hubbard was the man in the middle, and in retrospect, the most forward-thinking of the three. Substance abuse problems hounded Morgan throughout his career, but he was on the upswing in late 1972 when he was gunned down at a New York City nightclub by his common-law wife. He had studied with Brown in Philadelphia and quickly grabbed the jazz community’s attention with a series of albums on Blue Note and Savoy, along with long-time gigs with Dizzy Gillespie and Art Blakey. Lee Morgan was the youngest of the three-he actually turned 18 a fortnight after Brown’s passing. Booker Little followed Brown and Kenny Dorham in the trumpet chair for the Max Roach combo, and before he succumbed to uremia in October 1961, he had played alongside Eric Dolphy on several important recordings and developed into a distinctive composer and arranger. Ironically, the eldest of these trumpeters was the first to die. Upon the tragic death of Clifford Brown on June 27, 1956, the best candidates for the next trumpet wizard were three 18-year-old men.
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